Synagogue mystery 

     From Ruth Ellen Gruber
     ROME (JTA) -- Ivan Ceresnjes has documented synagogues all over the former Yugoslavia, but he's never come across anything like the strange painting in the former synagogue in Apatin, a small town in Serbia near the Hungarian border.
     "It is a kind of mystery," Ceresnjes, who works with the Center for Jewish Art at Hebrew University, told JTA from Jerusalem. "I am still searching for some reasonable explanation."
     The painting in question is a neo-baroque mural on the ceiling of the synagogue, a simple village structure built in 1885 for a Neolog congregation -- the Hungarian version of Reform Judaism.
     It shows a sky filled with dramatic banks of clouds framing a depiction of the Ten Commandments -- but the Hebrew lettering is written backwards, in mirror image.      Ceresnjes, an architect who was president of the Jewish community in Bosnia before making aliyah in 1996, called the mural unique.      No comparable example exists in either that part of Serbia or neighboring Hungary, he said, and no-one knows why such an image was painted.
     "It is the message of the painting that should be decoded," he said. "Three Rabbis, all of them educated in Budapest, officiated consecutively in that Neolog congregation, and none of them seems to have been disturbed by the picture's central motif, a mirror image of the Luhot positioned in such a way that we can assume that it was done deliberately."
     Ceresnjes, who has carried out extensive documentation of synagogues and Jewish cemeteries in all the countries that made up the former Yugoslavia, said nothing was known about the architect of the synagogue, the artist who painted the ceiling or the circumstances under which it was created.
     However, he said, the artist was probably local and presumably not Jewish, as there is no record of any Jewish painter in the area in that time. In this case, Ceresnjes said, he would have been guided by someone, presumably the rabbi of the community.
     Nonetheless, Ceresnjes said, "I do not exclude the possibility that the painter came from Hungary - there are a lot of Church paintings of the same style from that period, but I am afraid that it would be very difficult to trace the name."
     Only about 60 Jews lived in Apatin before World War II, and the community was annihilated in the Shoah. In the 1950s, the synagogue was sold to the Baptist church.
     Ceresnjes fears that there are plans to sell the building again and turn it into a workshop, and he has warned that steps should be taken to save the painting.
     "The painting is unique by all means, very important for preservation and protection," he said. "Further neglect or allowing it to disappear or be destroyed would be an irreparable loss for the Jewish cultural and religious community as a whole."